Furthermore, the subject may dictate differences in diction. If he is trying to explain why he loves or hates someone, he will probably be concerned with the analysis of traits of character which have no necessary reference to chronology therefore, his ordering of the material may well be in terms of degrees of importance and not in terms of time sequence. For instance, if a writer is interested in explaining a process of some kind, the running of an experiment in physics or the building of a log cabin, he will have to organize his material with some reference to the chronological order of the process.
The nature of the subject will, in some respects, dictate the nature of the treatment. But in either instance he has a subject and one that can be distinguished from all other possible subjects. The something may be his own feelings, his love or his hate, or again it may be the theory of aero-ĭynamics. The course of this book, but for the present it is important only that we understand them as representing aspects of the medium, of language Another aspect is diction the qualities of the individual words even beyond cates his ideas Rhythm is another aspect, and it may exercise a very powerful effect on the reader, even if he is not aware of it. For example, grammar is an aspect of the medium itself.
#Another word for content of writing full
This language operates in terms of certain principles and usages which a writer must observe if he is to exercise his full force or even, in some instances, to be understood at all. Writer writes in a language, the substance, as it were, through which he exerts his force, the medium through which he communi-Īnd feelings.
define them in reference to various aspects of the act of For the present, however, try to reduce the considerations to three general types. Writer must simultaneously think straight about? This book is an attempt to answer that question but even when this book is finished A writer, as Robert Louis Stevenson says in his "Essay on Style," is like a juggler who must keep several balls in the air at once. This is a fundamental point, and this book is an attempt to deal with the fundamentals of writing. What is common to all kinds of good writing is more important than what distinguishes one kind from another. Matter whether you are planning to write fiction, poetry, news reports, magazine articles, essays, or sermons. To write well is not easy for the simple reason that to write well you must think straight. It is not a matter of memorizing mula, rules or of acquiring a few skills. There is no certain forno short cut, no bag of tricks. THE OUTLINE, SUMMARY, AND PRECIS NOTES RESEARCH PAPER AND BOOK REPORT TONE AS A QUALIFICATION OF MEANING SOME PRACTICAL DON'TS THE COMPANY A WORD KEEPS: COLLOQUIAL, INFORMAL, AND FORMAL THE PLAN OF THE FOLLOWING CHAPTERS ON STYLE THE SENTENCE GRAMMAR WORD ORDER OF THE NORMAL SENTENCE USE OF THE PARAGRAPH TO INDICATE DIALOGUE THE PARAGRAPH AS A CONVENIENCE TO THE READER
NARRATION AND THE OTHER KINDS OF DISCOURSE RELATION OF SUGGESTIVE DESCRIPTION TO OTHER KINDSĭESCRIPTION OF FEELINGS AND STATES OF MINDįIGURATIVE LANGUAGE IN THE DESCRIPTION OF FEELINGSĬHOICE OF WORDS IN THE TEXTURE OF DESCRIPTION ORDER OF THE BRIEF AND ORDER OF THE ARGUMENT THE RELATION BETWEEN THE TECHNICAL-SUGGESTIVE DISTINCTIONĪND THE OBJECTIVE-SUBJECTIVE DISTINCTION THE USES OF TECHNICAL AND SUGGESTIVE DESCRIPTIONĪNALYSIS AND STRUCTURE ANALYSIS: RELATION THE FUSION OF MEDIUM, SUBJECT AND OCCASION YOUR BACKGROUND FOR SUCCESSFUL WRITINGĮXPOSITORY DESCRIPTION: TECHNICAL DESCRIPTION THE RELATIONSHIP BETWEEN READER AND WRITER JOHN BROWN: THE MAKING OF A MARTYR SELECTED POEMS, 1923-1934ĬOPYRIGHT, 1949, I95O, BY HARCOURT, BRACE AND COMPANY, INC. Want suggestions like these while you type? Check out the Grammarly Editor and get synonyms with a simple Ĥ34521497b54702212297549997c6f0f01d53fc4ffa593edfed859bf117b0143.pdf Citation previewīy Robert Penn Warren ALL THE KINGS MEN CIRCUS IN THE ATTIC Here are a few of the most common verbs that users wanted synonyms for: But if you’re trying to get people to read your important memo or follow specific instructions, you may want to spice up your language a bit. Sometimes, it’s okay to use the plainest verb to get your point across. Those of us with desk jobs write a lot of emails, so it’s no surprise that people get tired of writing the same words over and over again.